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	<title>LAMO</title>
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	<description>Centre de recherche en litt&#233;rature rattach&#233; &#224; l'UFR Lettres et Langages de Nantes Universit&#233;, LAMO a le statut d'unit&#233; de recherche (UR 4276), reconnue par le Haut Conseil d'&#201;valuation de la Recherche et de l'Enseignement Sup&#233;rieur (HCERES).</description>
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		<title>Since 1839... Eleven Essays on Photography</title>
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		<dc:date>2021-09-19T08:37:00Z</dc:date>
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		<dc:creator>Shane Lillis</dc:creator>



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&lt;p&gt;This volume offers a selection of essays by the renowned photography historian Cl&#233;ment Ch&#233;roux. Ch&#233;roux, appointed chief curator of photography at the Museum of Modern Art (MoMA) in New York in 2020, takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. The texts, published together in one volume for the first time and newly translated into English, reflect the breadth of Ch&#233;roux's thinking, the rigor of his (&#8230;)&lt;/p&gt;


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		<title>The Birth of the Idea of Photography </title>
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		<dc:date>2019-09-11T14:08:00Z</dc:date>
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&lt;p&gt;A milestone work that examines the democratic idea of photography and its expansion in common culture, particularly in the United States ; generously illustrated. &lt;br class='autobr' /&gt;
This influential text by French historian and theorist Fran&#231;ois Brunet considers the invention and history of photography as the birth of an idea, rather than a new type of image. This &#8220;idea photography&#8221; combines a logical theme&#8212;that of an art without artistry&#8212;and the democratic political promise of an art for all. Officially (&#8230;)&lt;/p&gt;


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		<title>Rencontres Frankenstein du Comit&#233; de liaison dix-neuvi&#233;miste</title>
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		<dc:date>2018-11-22T07:54:00Z</dc:date>
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		<dc:creator>Shane Lillis</dc:creator>



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&lt;p&gt;2018 est le bicentenaire de la premi&#232;re publication, anonyme, de Frankenstein ou le Prom&#233;th&#233;e moderne par Mary Shelley : c'est l'occasion d'interroger les post&#233;rit&#233;s d'une &#339;uvre majeure du XIX&lt;sup class=&#034;typo_exposants&#034;&gt;e&lt;/sup&gt; si&#232;cle, qui a &#233;t&#233; constamment r&#233;&#233;crite et r&#233;invent&#233;e depuis. En effet, Frankenstein est rapidement devenu un des grands mythes litt&#233;raires de la modernit&#233;, avant que son int&#233;gration &#224; la culture m&#233;diatique, en particulier par le biais du cin&#233;ma, l'inscrive progressivement dans une circulation &#224; la (&#8230;)&lt;/p&gt;


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&lt;a href="http://lamo.univ-nantes.fr/-Evenements-" rel="directory"&gt;&#201;v&#233;nements&lt;/a&gt;


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		<title>The Eye of History</title>
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		<dc:date>2018-06-21T11:44:00Z</dc:date>
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		<dc:creator>Shane Lillis</dc:creator>



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&lt;p&gt;An exploration of the interaction of aesthetics and politics in Bertolt Brecht's &#8220;photoepigrams.&#8221; &lt;br class='autobr' /&gt;
From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining how they became the (&#8230;)&lt;/p&gt;


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		<title>Atlas, or the Anxious Gay Science</title>
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		<dc:creator>Shane Lillis</dc:creator>



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&lt;p&gt;&#171; Aby Warburg's Mnemosyne Atlas (1925&#8211;1929) is a prescient work of mixed media assemblage, made up of hundreds of images culled from antiquity to the Renaissance and arranged into startling juxtapositions. Warburg's allusive atlas sought to illuminate the pains of his final years, after he had suffered a breakdown and been institutionalized. It continues to influence contemporary artists today, including Gerhard Richter and Mark Dion. In this illustrated exploration of Warburg and his (&#8230;)&lt;/p&gt;


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		<title>CV Shane Lillis</title>
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		<dc:date>2018-06-21T10:32:00Z</dc:date>
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		<dc:creator>Shane Lillis</dc:creator>



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&lt;p&gt;FORMATION : Agr&#233;gation externe d'anglais (rang : 16&lt;sup class=&#034;typo_exposants&#034;&gt;e&lt;/sup&gt;), 2009 PhD (Th&#232;se) en Lettres Modernes, Universit&#233; de Californie, Berkeley (Etats-Unis), 2006 Titre : &#171; From Therapeutic Nihilism to the Detection of Simulated Symptoms : A Sequential Critique of Medical Treatment from the 1850s to the 1914-18 War by L.-F. C&#233;line &#187; Pensionnaire &#233;tranger &#224; l'Ecole normale sup&#233;rieure, Ulm, Paris, 2003-2005 DEA de Litt&#233;rature fran&#231;aise, Universit&#233; de Lille 3 (mention &#171; tr&#232;s bien &#187;), 1996-1998 B.A. (ma&#238;trise) (&#8230;)&lt;/p&gt;


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